Selected Works
Vitrina con fragmentos del sarcófago de la internet
2026
Generative image → depth map → silicone mould → stone
Master's final project. The full chain from model output to material: a generated image becomes a depth map, the depth map becomes a mould, the mould becomes a stone piece.
Escalators to: Big Bang, KHB Graduate Exhibition, Berlin, 2026
Production Meeting
2025
Wax and stone dust, site-specific sculpture · unit 67 × 35 × 3.5 cm
Tensions between body, labour and technology in a present defined by hyperconnectivity and accelerated obsolescence. Wax figures cast as candles, women in period dress seated at laptops, lit during the exhibition and left to burn down over its run. The scene rewrites historical labour as digital labour, and the material carries the argument by consuming itself while the audience watches.
Metaxy, Artwings, Berlin, 2025 · Gute Gesellschaft, Wilhelm Studio, Berlin, 2025
Elenchus
2024
Video installation, site-specific
A reflection on the concept of nature and how we construct it, built around a recorded conversation with an artificial agent in which the questions drive the agent to an absurd conclusion. The visuals are a chain of generated keyframes rather than filmed footage: one continuous descent through synthetic landscapes that never resolve into a real place.
Acquired by the Belvedere's Bildarchiv & Ursula Blickle Video Archiv, Vienna, 2026
Gute Gesellschaft, Wilhelm Studio, Berlin, 2025
Ecosystem · series v01–v02
2023–2025
Wax, mica and video on Raspberry Pi; video installation · 75 × 60 × 30 cm
Questions the distance between the organic and its simulacrum, exploring the tension between fascination, consumption and artificiality in our relation with nature, and how nature is reproduced and mediated.
v01: pseudo-co.: spawning alt-reality, Art Spring Pop Up, Berlin, 2025 · v02: Metaxy, Artwings, Berlin, 2025
Technofeudalisms · series
2023–2024
Silicone, bronze, plaster, mixed media, transfer on wood
Scenes of medieval workers whose traditional tools are replaced by laptops.
Women Labor (silicone, 46 × 46 × 2.5 cm) · Farmers (transfer on wood, 18 × 18 × 0.5 cm) · The Scribes (bronze and plaster, 35 × 35 × 2 cm) · Qu'ils mangent de la DATA (mixed media, 50 × 50 × 39 cm): a three-tiered cake representing the feudal organisation of digital platforms, users at the base, content creators in the middle, platform owners at the top, distributed to and eaten by visitors.
KAUGUMMI IM MOTHERBOARD 2.0, Erratum Gallery, Berlin, 2024 · Rundgang KHB, Berlin, 2024
Future Archaeologies [Arqueología del futuro] · Subject series
2021
Plaster reliefs, various sizes; mechanised object 100 × 100 × 150 cm
An exercise in temporal displacement: treating the technological present as if it were an archaeological vestige. Procedures borrowed from archaeology, stratification, relief and inscription, situate floppy disks, circuit boards and NFT hashes within a register of ruin.
Electric Dependence: a car battery feeds a motor that continuously scrolls perforated paper printed with a chain, operating in a closed loop.
Exercises in Learning…, Spoiler Zone, Berlin, 2019
Artmeldung
2019
Relational installation, site-specific · ZK/U Berlin
Developed during the ZK/U residency. Research on the circuit of Argentinian artists living in Berlin, resolved as a three-part installation: forms derived from interviews with more than twenty artists using the graphic design of Anmeldung bureaucracy; a "back office of incoming art" showing works by recently arrived artists; and an autonomous exhibition of televisions archiving works by artists resident over a year.
The Ghost Between The Words, ZK/U, Berlin, 2019
Monitor0717
2017–2018
Relational installation, net-art, site-specific
A personal selection of 150 cultural agents with whom the artist interacted physically between 2007 and 2017. Each was asked for three to five files representing their work, three to five representing their social context, and a physical object. The accumulated material was exhibited as a collective archive and developed into a net-art platform, questioning collective identity and the database as artistic subject.
Work and Processes, Kulturni Centar Beograd, Belgrade, 2018, three months · CPU, Buenos Aires, 2019
Te quiero pero internet [I Love You But Internet]
2018
Net-art installation, site-specific · in collab. w/ Boris.mhl
Visitors can connect and surf freely, having been told in advance that their navigation will be registered, saved and published to a website. Challenges the logic between exhibition space and artwork while questioning reading behaviours on the web.
CPU, Buenos Aires, 2018