m4n0.ai.archive is a standing collection of AI-generated images and videos made from 2023 to the present. It runs alongside the commissioned work, not after it: the archive is where models get tested, prompts get pushed, and the visual language behind the production cases takes shape.

The pieces are not one look. Engravings, creatures, plants, cityscapes and portraits sit next to each other, each tagged and dated, filterable by series, media type and time. Read as a whole, it tracks how the tools changed across four years, and how the practice changed with them.

Browse the full archive: m4n0.ai.archive

Curatorial intervention in a mall center. Body mutation in consumer space. Uses the space as a laboratory for data swarms and subjects. Speculates on post-digital life via pseudo-commercial simulations. Transforms retail areas into narrative environments through capitalist residue.

In collaboration with Yun Kima

Acquired by the Belvedere’s Bildarchiv & Ursula Blickle Video Archiv.

A video artwork on how we draw the line between natural and artificial. It centers on a recorded dialogue with an artificial agent whose answers, question by question, are pushed toward an absurd conclusion, staging the moment the category of “nature” collapses under its own definition.

The visuals are built as a chain of generated keyframes, not filmed footage. A reference set of video-game textures and 3D assets sets the starting point, and from it still frames are generated to follow each beat of the script. Runway animates between them: three frames per segment, moved through as a slow overhead flight, with the last frame of each export carried in as the first of the next. The result is one continuous descent through synthetic landscapes that never resolve into a real place.

Technical process:
1. Reference: Set of video-game textures and 3D assets.

2. Frames: stills generated to match the script, beat by beat.

3. Motion: Runway interpolating three frames per segment as an overhead flight, chained by reusing each segment’s final frame as the next one’s first.

Production of cultural reports and art criticism for the platform “Nido”. Specialized coverage of the 60th Venice Biennale, analyzing institutional trends and global art circuits. Focus on strategic content dissemination and critical documentation of contemporary art events.

Research project developed during a residency stay at ZK/U Berlin.

Focuses on emerging Latin American artists and the body as a key element of study. Implements a methodology to exhibit colonial preconceptions and Western binaries (body vs idea). Explores the “ecto-” concept (bodies expelled from history and contained as nature) to reveal socio-political realities.

Research-driven exhibition transforming a private family archive into a public political statement. Connects three generations of exile and migration with contemporary displacement. Manages cultural heritage through installations that bridge hidden and revealed history.

In collaboration with Ezequiel Monteros & Sandra Feferbaum Siemsen.

Founded with Boris Aiub as a platform to subvert established notions of aesthetic discourse and the socio-political implications of technology. Developed experimental exhibition formats from a site-specific context to push curatorial boundaries and technological discourses.

Multidisciplinary festival celebrating the Berlin-Buenos Aires sistership. Mapped self-legitimized artistic circuits outside mass-market nomenclature. Explores Argentine identity as a culture hybrid layers where nature and industry merge.

Research project on the Argentine artistic community in Berlin. Appropriated institutional forms (Anmeldung) to map migrant artistic insertion. Systematized displacement and reconstruction of autonomy into sociological and curatorial data.

Investigation of databases as a reflection of contemporary society. Mapped a social graph of 150 agents through digital records and objects. Displayed via random-access web archive and physical exhibition. Uses data to reveal hidden social structures.