This work explores the tensions between body, labor, and technology in a present defined by hyperconnectivity and accelerated obsolescence. 

The piece functions as a time-based sculpture. When exhibited, the wax figures are lit, beginning a process of self-consumption over approximately two hours. 

In this work, exhibited in different versions, the focus lies on how nature is reproduced, mediated, and consumed.

The series questions the distance between the organic and its simulacrum, exploring the tension between fascination, consumption, and artificiality in our relation with the nature.

Technofeudalisms is a series that explores the concept of techno-feudalism through scenes of medieval workers, but traditional tools are replaced by laptops.